Biography
Shane Harvey is not only a veteran movie/TV production still photographer, he is also an award-winning
feature film and television composer/musician. Harvey recognized in his early childhood that music would
be his life’s calling. That momentous occasion, as a five-year-old growing up in Toronto, happened when
the youngster held an Elvis Presley postcard sent to his father, the late country singer Larry Harvey, an
acquaintance of The King and his manager, Col. Tom Parker.
About his father, who, recently passed away at age 87, Harvey says, “my father was responsible for why I
became a singer. Right up to his death, he served as an inspiration to the me and my music, It was so
natural to always hear singing in the house, so I don't think I had any choice.”
Although he first expressed his creative side in the world of still photography, Harvey’s private hours
were devoted to his love of music. Proficient on the trumpet, piano and drums, his first professional
recording was his original composition for the song Ricky, for which he won the prestigious National
‘MuchMusic’ songwriting contest, beating out a thousand other hopefuls. It wasn’t long before he turned to
film music, collaborating with the Toronto Symphony Orchestra on numerous movie projects, including the
cult classic, “Clearcut.”
He later worked with the late jazz legend Moe Koffman on the feature film, “The
Shower,” and also counts
among his feature film scores the European box office hit “Uklad Zamkinety,” “Zaćma,” “Paper Promises,”
“General Nil,” “The Rhino Brothers,” “Gracze,” “Exposed,” Xes Diner,” “Domesticide” and “Middlemen,” for
which he won the IFTC Award for Best Original Sore in 2003.
As a singer-songwriter, Harvey penned the infectious tune Got A Hold on Me, a song
featured in the 2006
boxoffice hit “Final Destination 3.” He has also composed other single releases including Fathers
Footsteps, She Was My Momma, Til I’m Dead and Gone, Loves in Remission, This Kind of Love and Listen to
the People, written for Second Harvest Food Bank. His long-form recordings include Fatherson: WANTED and
For Guinevere: To Hell and Back, a wildly original, semi-autobiographical album whose melodies and lyrics
feature several musical styles and influences, including jazz and rap. Famed songwriter/record producer
Jim Vallance calls Shane’s CD a “Masterpiece.”
In addition to his work on the big and small screens, Harvey has also won accolades for
his jingle
compositions. His Ally Dupont spot earned a ‘Telly’ for Best 30 Second music composition in the U.S. He
has also composed jingles for such products as Ford Canada, ALS Society and Wolverine Clothing. He is also
an accomplished voiceover talent who can heard on numerous radio spots throughout Canada.
Harvey has also performed and recorded with such popular musical artists as Alanis
Morisette, Anne Murray
and David Clayton Thomas of Blood, Sweat and Tears. As a jazz performer, he dazzled audiences with his
unique Chet Baker Tribute show, about which Toronto Star entertainment reporter Rob Salem hailed “the
influence of Chet Baker is unmistakable, yet the voice(and melodious trumpet riffs) clearly belong to
Shane Harvey.” In addition to his attraction to Baker’s work and style, Harvey’s musical influences also
include the great R&B singer Stevie Wonder, fellow Canadian singer-songwriter Daniel Lanois, and the
legendary and prolific film composer Ennio Morricone.
Harvey has also collected raves from the likes of controversial rapper Snoop Dogg (“the
best mother#@*!
white singer I ever heard...he’s like White Chocolate”), the late R&B legend Isaac Hayes (“Does Shane sing
it straight up? You’re damn right!”), iconic stadium rocker Jon Bon Jovi (“I was blown away by Shane’s
strong vocals”) and Patience Higgins, a member of Duke Ellington’s famed orchestra (who called Harvey “a
double threat” because of his harmonious blend of vocals and trumpet playing).